girlandguns:

Girl With Gun  follow me at : http://girlandguns.tumblr.com/

girlandguns:

Girl With Gun follow me at : http://girlandguns.tumblr.com/

Reblogged from Girls And Guns
Reblogged from MALPERVOBIS
Reblogged from ...but that's OK
girlandguns:

Girl With Gun  follow me at : http://girlandguns.tumblr.com/

girlandguns:

Girl With Gun follow me at : http://girlandguns.tumblr.com/

Reblogged from Girls And Guns
weirdletter:

The Cutting Room: Dark Reflections of the SilverScreen, edited by Ellen Datlow, Tachyon Publications, 2014. Cover art by Josh Beatman, info: tachyonpublications.com.

"he credits have rolled, but the lights are still off. Something is lurking on the other side of the screen. There are dark secrets, starving monsters, and haunted survivors who refuse to be left on the cutting room floor. But that’s okay, right? After all, everybody loves the movies…. Here are twenty-three terrifying tales, dark reflections of the silver screen from both sides of the camera. James Dean gets a second chance at life—and death. The Wicked Witch is out of Oz and she’s made some unlucky friends. When God decides reality needs an editor, what—and who—gets cut? These award-winning, bestselling authors will take you to the darkest depths of the theater and beyond."

Contents:
Introduction by Genevieve Valentine
Preface by Ellen Datlow
“The Cutter” by Edward Bryant
“The Hanged Man of Oz” by Steve Nagy
“Deadspace” by Dennis Etchison
“Cuts” by F. Paul Wilson
“Final Girl Theory” by A. C. Wise
“Lapland, or Film Noir” by Peter Straub
“The Thousand Cuts” by Ian Watson
“Occam’s Ducks” by Howard Waldrop
“Dead Image” by David Morrell
“The Constantinople Archives” by Robert Shearman
“each thing I show you is a piece of my death” by Gemma Files & Stephen J. Barringer
“Cinder Images” by Gary McMahon
“The Pied Piper of Hammersmith” by Nicholas Royle
“Filming the Making of the Film of the Making of Fitzcarraldo” by Garry Kilworth
“Onlookers” by Gary A. Braunbeck
“Recreation” by Lucy A. Snyder
“Bright Lights, Big Zombie” by Douglas E. Winter
“She Drives the Men to Crimes of Passion!” by Genevieve Valentine
“Even the Pawn” by Joel Lane
“Tenderizer” by Stephen Graham Jones
“Ardor” by Laird Barron
“Final Girl II: the Frame” by Daphne Gottlieb
“Illimitable Dominion” by Kim Newman

weirdletter:

The Cutting Room: Dark Reflections of the SilverScreen, edited by Ellen Datlow, Tachyon Publications, 2014. Cover art by Josh Beatman, info: tachyonpublications.com.

"he credits have rolled, but the lights are still off. Something is lurking on the other side of the screen. There are dark secrets, starving monsters, and haunted survivors who refuse to be left on the cutting room floor. But that’s okay, right? After all, everybody loves the movies…. Here are twenty-three terrifying tales, dark reflections of the silver screen from both sides of the camera. James Dean gets a second chance at life—and death. The Wicked Witch is out of Oz and she’s made some unlucky friends. When God decides reality needs an editor, what—and who—gets cut? These award-winning, bestselling authors will take you to the darkest depths of the theater and beyond."

Contents:
Introduction by Genevieve Valentine
Preface by Ellen Datlow
“The Cutter” by Edward Bryant
“The Hanged Man of Oz” by Steve Nagy
“Deadspace” by Dennis Etchison
“Cuts” by F. Paul Wilson
“Final Girl Theory” by A. C. Wise
“Lapland, or Film Noir” by Peter Straub
“The Thousand Cuts” by Ian Watson
“Occam’s Ducks” by Howard Waldrop
“Dead Image” by David Morrell
“The Constantinople Archives” by Robert Shearman
“each thing I show you is a piece of my death” by Gemma Files & Stephen J. Barringer
“Cinder Images” by Gary McMahon
“The Pied Piper of Hammersmith” by Nicholas Royle
“Filming the Making of the Film of the Making of Fitzcarraldo” by Garry Kilworth
“Onlookers” by Gary A. Braunbeck
“Recreation” by Lucy A. Snyder
“Bright Lights, Big Zombie” by Douglas E. Winter
“She Drives the Men to Crimes of Passion!” by Genevieve Valentine
“Even the Pawn” by Joel Lane
“Tenderizer” by Stephen Graham Jones
“Ardor” by Laird Barron
“Final Girl II: the Frame” by Daphne Gottlieb
“Illimitable Dominion” by Kim Newman

Reblogged from Weirdletter Postcards
Reblogged from MALPERVOBIS
Reblogged from MALPERVOBIS
Reblogged from MALPERVOBIS
Reblogged from MALPERVOBIS
Reblogged from MALPERVOBIS
Reblogged from Retro Science Fiction
Reblogged from across the boundaries

spaceplasma:

Mars Orbiters ‘Duck and Cover’ for Comet Siding Spring Encounter

NASA is taking steps to protect its Mars orbiters, while preserving opportunities to gather valuable scientific data, as Comet C/2013 A1 Siding Spring heads toward a close flyby of Mars on Oct. 19.

The comet’s nucleus will miss Mars by about 82,000 miles (132,000 kilometers), shedding material hurtling at about 35 miles (56 kilometers) per second, relative to Mars and Mars-orbiting spacecraft. At that velocity, even the smallest particle — estimated to be about one-fiftieth of an inch (half a millimeter) across — could cause significant damage to a spacecraft.

NASA currently operates two Mars orbiters, with a third on its way and expected to arrive in Martian orbit just a month before the comet flyby. Teams operating the orbiters plan to have all spacecraft positioned on the opposite side of the Red Planet when the comet is most likely to pass by.

The European Space Agency is taking similar precautions to protect its Mars Express (MEX) orbiter.
  • For more information about the Mars flyby of comet Siding Spring, click here.
Credit: NASA/JPL-Caltech

projecthabu:

     What can I say about this bird that hasn’t already been said? Endeavour, whose name was borrowed from Captain Cook’s first exploration ship. Endeavour, the ship that replaced Challenger after her accident, carrying her spirit. There’s a lot to live up to. I’ll give this a shot.

     OV-105, the newest ship of the orbiter fleet, rolled out in 1991, just after I was born. I grew up with her; she was always my favorite. Endeavour was also the first orbiter that I ever saw up close. I visited first the California Science Center in Los Angeles on January of 2014, fully intending on thoroughly photographing the ship for this project. I walked into the hangar, and immediately had to fight tears welling up in my eyes. The emotions I felt were oddly similar to a time when I saw Van Gogh’s Starry Night in person. How could I have taken a picture Starry Night and call the photograph art? I snapped two or three photos of the orbiter, and realized that there was no way I could capture what she meant to me in a photograph, so I stopped snapping.

     It wasn’t until my second visit on August 2, 2014, when I was finally able to photograph the bird. Though, during that visit, I was still distracted, because I was on a first date with an incredible person who has since become my committed partner. Where else would I take my first date?

     Endeavour will always hold a special place in my heart for all these reasons. Every orbiter is beautiful, but I think OV-105 will always be my favorite.

Reblogged from Popular Mechanics